Monday, June 5, 2017

Tone Control



6 points to tonestack calculation

1. identify low and high pass filters
2. identify series and parallel filters
3. identify the Volume Attenuation
4. identify basic pathway the signal in to the signal out
5. Understand phase shift and amplitude
6. Understand the math for series and parallel filters


The following diagram shows the classic Marshall / Fender tone control circuit. 

In a Marshall or Fender amplifier, this is usually installed between the 2nd and 3rd 12AX7 amplification stage. You might choose to place this somewhere in the "multi-variant" pre-volume arrangement, or just before the phase splitter stage. Experiment! Probably the only completely inappropriate place to install this circuit is just after the input jack, because the gain there is so high that you'd never be able to wire it in a way that wouldn't pick up a lot of noise. Note that the Bass control is wired counter-clockwise from the schematic.




Fender                                                    Marshall  
R1 = 250K                                               R1 = 250K
R2 = 250K                                               R2 = 1M, log
R3 = 10K                                                 R3 = 25K
R4 = 100K                                               R4 = 56K
C1 = 250 pf                                             C1 = 250 Pf
C2 = 0.1 uf                                              C2 = 0.022 uf

C3 = 0.047 uf                                         C3 = 0.022 uf